Martial arts in contemporary Japanese cinema were brought
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primarily to clashes vampires, zombies, Tengu, and other monsters and ghosts. High Kick Girl is back to
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its roots but, unfortunately, unsuccessful. On the one hand, the director Fuyuhiko Nishi has made interesting premise
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no hanging on a string of actors and absolute lack of CGI. On the other wasted potential solutions,
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some fatal, especially nachalnymi repetitions of the same beats depicted in slow motion and from different angles. The main character actually has impressive skills, but even the best of her kicks satisfy every viewer with one single presentation, at the end of this
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, and no feints
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transmission of karate. Independent cinema fight - with duels like sport, not the Matrix - could bring a lot of freshness to heading towards ever greater abstraction species. It is a pity that the chance was
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strwoniona in such a reprehensible manner. The story in the
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Nishi virtually non-existent. The only strong point, and also the reason why after all should reach for High Kick Girl is Rina Takeda. Teenage actress portrays the feisty, eager for confrontation Kei, who brandishes
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longest legs in Japan with efficiency and confidence disciplined warrior.
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game leaves much to be desired, but it really has not received the role, which could demonstrate the actor's skills. Impudence and opponents lining is the only form of entertainment, which provides Kei. But enough was enough
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to actress immediately got another
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proposals and almost every time she had received an engagement for the lead role. Not only that, hand in hand with well-deserved success came widespread admiration among teenage girls in all the islands of Japan. As long as the center of events is a character played by Rina, watching High Kick Girl is relatively painless. It gets boring dramatically with the takeover sticks by master Matsumura (Tatsuya Naka), whose games [url=http://mangatyanan--online.wentworth.pl]Mangatyanan do zobaczenia online[/url] not save the
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poor fighting skills, because even the most efficient fifty-needs tweaking, like the Expendables to action movies with his participation could arouse emotions. The rest of the cast I will not even mention, will mark only that they play at the level of Polish soap opera, except that in addition mastered a lesser or greater extent martial arts. The idea for High Kick Girl was a good, encouraging even at the stage of the trailer, but getting through eighty minutes of the
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, which account for one-fifth of replays, requires enormous perseverance. Nishi debut omission will not cost you a guilty conscience. This position only for stalwart fans of Japanese cinema or martial arts that even with such abilities should be treated as a curiosity. The only thing that high-kicking girl has served, it is the rise of a new generation of talented actresses. However, you can go ahead with it, starting from KG (Karate Girl), which is based on a similar plot, but it is much better realized.
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