This
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proves that Dogma is neither a miracle drug or poison. This scene in "Mifune" (Mifunes sidste sang, literally so - the last song Mifune) is not hidden from the viewer sensitive, though it is hidden in the middle of the film, less than other full of movement, cry, change the dynamics of human conflict. Here's civil ceremony: the table mentally retarded young man Rud and three older men like him from the neighborhood, as well as Bjarke wyszczekany unruly teenager. Everyone country-dressed festively.
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Eksprostytutka lovely to meet them Liva - like a maid hired to care for Rudem, but at this stage one more, goddess, the queen, the Great Mother. It behaves quite ordinary, but her presence radiates. Thanks to it all turns into a mystery - smoking cigarillos is a ritual pipe of peace, raised cups are a symbol of joyous reunification, a kiss on the cheek Ruda is a ceremonial nuptials. One of those present has the guitar - and when he is asked about the song -
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not hear clumsier impaired musician strumming - guitar solo enchants us in a big way. The beauty reveals the healing power, as if suggesting that mental defect or does not cancel the fullness of life, or the balance between pain and happiness This one scene is worth all kabotyńskich declaration in favor by images of "Breaking the Waves" and "Idiots" von Trier. Why this comparison? After all, the director of "Mifune", szreń Kragh-Jacobsen, is one of the co-founders of the group and the program Dogme 95, whose von Trier is a leader and promoter. However, "Mifune" Kragh-Jacobsen is proof that the program Dogma is neither a miracle cure that European cinema will give new strength nor the poison that will accelerate its deadly descent. Film The 50-year-old Dane has the power of youth and the level of maturity of thought, but
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not przypisywałbym neither one nor the other of alchemy Dogma - rather the fact that the formal restrictions of the movement did
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not prevent the director in relation to the living tradition of two other trends. Kragh-Jacobsen studied at the Prague film school FAMU and have absorbed what is in the best Czech cinema - somewhat populist realism and wry, rubasznym humor. And besides skillfully he
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took advantage of the achievements of the
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mainstream "cinema humanistic psychiatry" initiated a subtle film "David and Lisa" and climbing to new heights
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Barry Levinson's "Rain Man" with Dustin Hoffman in "Mifune" pretext for entry into the world of men rejected is a simple story about
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life of a young businessman
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bend, Krestena, who hid his roots. The thing is told with bravado [url=http://bob-and-the-monster--online.wentworth.pl]Bob and the Monster film online[/url] freedom, and at the same
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time shows what
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probably determine the fashionable term "emotional intelligence". Krestenowi life falls apart zakomponowane by clichés - the marriage of the daughter of the boss, career in business. And like in a fairy tale - for goodness specimen brother, for fidelity to the old house and the village he is rewarded with a new family. Beautiful Liva becomes not only a "surrogate mother" of both, but Krestena lover. With her there is
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brother Bjarke, demoralized, but looking for love and friendship. It is amazing how much he could say
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Kragh-Jacobsen in this film about feelings gradually adhesion of this incredible family puzzle and how well he managed to avoid false notes pity or moralizing. What's more - much in the filme matters
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erotica and sex - and none of vulgarity and voyeurism. When we compare "Mifune" with the work of the Belgian Jaco Van Dormael contractor for "The Eighth Day" - a work of similar psychiatric topics affecting - Dane with Dogma clearly turns out to be the creator of mature Perhaps this is due to the fact that he very cleverly uses the language of symbols, which always runs the imagination of the
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viewer. Delicious is a scene "painting in white" - which is
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not only a pastime but an ordinary household and ritual
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purification. Great is the conclusion of the brotherhood of the "death ritual" that is sinking ore and rescued by Bjarke. It is significant that next to the symbols of the eternal - like water, white, common meal, the director could also launch the symbols from the world of movies and comics: from flying saucers after the title "Seventh Samurai"
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Kurosawa I have a house !, mentally niedorozwinęty man yells when they want to put it in the plant. Kragh-Jacobsen's
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transforms this cry in the question: What does "have a home".
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