George A. Romero is now seen not only as one of the most important artists of the modern horror
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, but also one of the few masters of the genre, who not only know how
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to scare the viewer, but it also have something to say. Starting to realized in 1968 "Night of the Living Dead," Romero uses the poetics of horror films to the ironic look at contemporary America. Although the plot of his
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films about zombies is thoroughly fantastic, the obstacles that moves, are still valid. In "Night of the Living Dead", showing a group of people cut off from the world locked in a house surrounded
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by zombies, Romero dealt a problem of intolerance. "Dawn of the Dead" (a remake of the very
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in our cinemas last year) was a satire on consumerism, and the most ambitious to date, but because of the total lack of funds, the least showy "Day of the Dead" showed progressive degradation of humanity against rising more and more undead. In his latest
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, its screenplay is based on the unused portions of the script, "Day", returns to the same theme. "Land of the Dead" brings us close to extinction gloomy world of humans, in which a small group
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of rich people live happily and comfortably in a luxury apartment Green Fields, while most live in slums and working for them. Unfortunately, the "idyll" does not last long. Unsuspecting residents of Green Fields did not know that
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zombies significantly over the past years has evolved, developing a primitive intelligence at home and at one point organized group of moving to the
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city. To the subject of the zombie genre virtually created by himself, George Romero returned evenly over 20 years. Earlier repeatedly he tried to interest some from studios new story about the living dead, but he was paid off empty-handed. The situation changed after they have had commercial success of "
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Evil", a remake of "Dawn of the Dead" and the British comedy "Shaun of the Dead". It was then that the Heads of Universal agreed
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that the topic of zombies is still potential and not enough that they decided to produce a new chapter in the saga, it is
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entrusted Romero budget of $ 17 million, which - as independent director, which is the creator of "Martin" - was a considerable amount. Unfortunately, it seems that the passage of years dulled somewhat sarcastic and ironic look Romero at the world. While visually "Earth" is a step forward compared to previous production of this type, it plots simply disappointing. Once again, Romero uses horrorowy staffage to comment on the problems of contemporary America. In this case, it shows what results in increasing delamination between classes. Zombies that stand lowest in the "social ladder" break up the fight for "their own place on earth"
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- says one of the characters in
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the
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. The purpose of their attacks, however, are not the slum dweller martyred governments Kaufman, but the wealthy
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residents of Green Fields, which - at the time of trial - no one moves to the rescue. Romero also avoids commenting on the terrorist paranoia that started in the US after the September 11 attacks. Not counting with anyone Kaufman says at one point that his fight with rebel
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subordinates is to fight terrorists, with whom he would not negotiate. No wonder that by Western reviewers, this figure is associated unambiguously. Of course, very good writing about the message that Romero tried to include in your movie. The problem is that it is simply banal. The fact that
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increasing stratification between the rich and the working can bring about
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a revolution We know from history that abounds in such
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cases. Besides, like the director he has already addressed the problem in that the "Day of the Dead." Plots "Earth" so it is not a step forward. We must admit, however, that Romero feels great in the world that he created. At a time when the
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takes place zombies are already part of the landscape. Children on
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the streets
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are watching a puppet theater, in which the brave hero fights with zombies, and one of the attractions at a nightclub in the slums are a chance to be photographs from the zombies and fight "stinks" as popularly called undead residents of Green Fields. "Land of the Dead" does not disappoint also in visual terms. With a solid budget Romero was finally able to show the whole macabre, which is associated with this subject. Moving slowly zombie fighting for food ruthlessly
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tearing their prey, which the director clearly shows. I assure you (and
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warn at the same time), that such scenes have not seen in the cinema. With master of characterization Gregory Nicotero (he worked among others with "Evil Dead 2") living
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dead look amazing. These are not sprinkled with
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powdered actors, as was the case in "Resident Evil," but hundreds of corpses in various states of decomposition. The zombies are scary, ugly, but at the same time gruesomely fascinating. The
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whole was very well filmed by Miroslaw Baszak. Dark pictures perfectly fit this
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bleak story about the collapse of the world. Harmonizes well with them music by Reinhold Heil and Johnny Klimek. The
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few surprises for
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a zombie appeared Simon Pegg and Edgar Wright - creator of the comedy "Shaun of the Dead" and form one of the undead played amazing Tom Savini - special effects expert, with whom Romero worked on
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his previous productions and author of a decent remake of " Night of the Living Dead "in 1990. Despite the shortcomings and feature a shallow message in its
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genre "Land of the Dead" remains a solid production, which should
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not disappoint any fans of zombies and
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cinema from the sign. However, if the walking corpses in a state of decay
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awaken in you
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only disgust and aversion should stay out of this title from afar.