The life story of Steve Jobs has the wonderful taste of the American dream. Joshua Michael Stern's
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does not give us forget it. We know this trajectory: from the garage parents to their office. From early successes, the inevitable defeat, to the mandatory triumph in the limelight with applause staring at our hero the audience. Therefore, the next evolution -
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this time of its star. From the celebrity-rather-than-actor after superstar capable muster the full-blooded performance. Yes
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grabs Oscar: a drastic change emploi plus Great Man biography on the wallpaper (explosive temperament and fatal disease at a price, of course). Except that this scenario does not. Although Ashton Kutcher portrays Jobs as smoothly as supports of the iPod, the
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with his participation does not give us a convincing portrait of the title character.
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At first glance, we have everything you need. We start from Jobs, which draws acid and assumes the pose of Christ in the stands of wheat. Less than two
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hours (twenty years) later, it's a different man. When viewing in the eyes gazing at him as the picture of Jonathan Ive'a (chief designer of Apple), we see that in the meantime he made his loyal followers. We are seeing
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the transformation Catcher-in-the corn god hippie hipster, but the secret of this transformation remains inaccessible to us. It is as if to admire through the glass inside the
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Apple Store, unable yet to go inside. Very nice, but nothing here for us. The creators took at face value and popularity Jobs - wrongly assuming that everything is clear - robbed his story of the key contexts. Geek environment in which germinated
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Apple, has just sketched. As a result, it turns out that Jobs and his first business partner, Steve Wozniak (Josh Gad), fell with his personal computer project from the moon. No background, from which one could distinguish Jobs, there is no way to explain what was the its success. To the great absent a movie, first of all Bill Gates (appears only in one scene, but just the other side of the handset). The same thing is
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true of personal life hero. Jobs - himself being adopted - for years refused to recognize his own daughter. Niezaznajomiony of his biography, but the viewer does not perceive
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perverse connection between these
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two facts, because it reaches only scraps of information they need. Not that the
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lacked words. It's a movie wordy so much, how much "Social Network" was on-screen display of mastery słowotoku. Rifle volleys dialogues Aaron Sorkin (incidentally working
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their own film about Jobsie) were placed in the very heart of the history of Mark Zuckerberg. Here it remains for us to believe developers word for it. I still hear that Apple's new products are groundbreaking; worse with arguments. The presentations Mac or iPod boisterous speech echoed by Jobs and his associates storm of applause, but there is
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justification for these successes. Worse, almost hagiographic aspirations of artists are by themselves lost. When Jobs delivers - and how - speech and brother of "outcasts of this world," just fly by the screen faces of all contributors, which unceremoniously dropped on the way to the top.
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effect is quite unfortunate - just a pity that clearly unintentional. You know, Steve had a difficult character - and the creators
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not hide this from us. At the same time, however, they
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not take the topic. It is easy to spin his tale with a comfortable point of the seat, where history has Jobsowi right. But keeping his hand in any dispute, and advising on the outside of
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blame for every defeat is an obvious symptom of scriptwriting blindness. Better
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than the film, which was created out of love for Jobs, would
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formed with respect. I only wish Kutcher. Bearing
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in mind the '70s " or "Dude, Where's My Car?", you can have doubts that a casting choice. But the screen does not have any Ashton. Instead, he is alive Jobs as: the specific gait, way of speaking and mesmerizing look. If you Sorkin will write his screenplay, let him give him to play again.
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